Curt Swan
Curt Swan is the preeminent Superman artist of the Silver and Bronze Ages.
From 1948–1996, Swan penciled approximately 1,140 stories in the Superman
family of titles. Curt Swan co-created popular supporting characters that
include Lucy Lane, Krypto the Superdog, Faora, and
Superboy-Prime.
In total, Swan is credited for approximately 1,419 comic book stories and
1,027 covers. "It was never something I set out to do. It just kind of
happened, the way a lot of good things do."
Douglas Curtis Swan was born in Minneapolis, Minnesota, on February 17, 1920.
Curt Swan began drawing at an early age, inspired by adventure illustrations
in
Collier's and The Saturday Evening Post. In the sixth grade,
Swan created his first comic book for a school charity project. Modeled after
the Big Little Book series, the story followed two boys that ran away
from home. A fellow student purchased the book for an unknown amount. After
high school, Swan freelanced as a cartoonist for various Minneapolis
newspapers.
On February 10, 1941, Curt Swan enlisted in the 135th Regiment, 34th Infantry
Division of the Army National Guard. Swan was shipped to Belfast, Ireland, in
February 1942, two months after the United States entered
World War II. While
stationed in Fintona, Swan became friends with Hubert creator Dick Wingert.
Wingert worked as an illustrator for the Armed Services newspaper
The Stars and Stripes. That November, Swan and Wingert met first lady
Eleanor Roosevelt.
In December 1942, Swan was assigned to The Stars and Stripes London
office as a staff artist, regularly contributing Allied maps and various
cartoons. In 1943, Sgt. Swan created a holiday design for a series of official
V-Mail Christmas cards from Great Britain. Swan roomed with Wingert in London
before being reassigned to the Paris office.
Curt Swan married Helene Rose Brickley in Paris in April 1944. Helene worked
with the Red Cross providing support to airborne forces in Belgium and France.
The two had previously met in New Jersey and later reacquainted in London.
After the war, the couple settled in Rockaway Beach on Long Island.
Stars and Stripes editor Eddie "France" Herron recommended that Swan
send a portfolio to Detective Comics. His first comic book assignment was to
imitate Joe Simon and Jack Kirby for the cover of Star Spangled Comics
#43 (April 1945). The cover was inked by Steve Brodie, but signed as
Simon and Kirby. Swan believed that the comic book industry would not
survive the decade.
Curt Swan first penciled a story feature for World's Finest #21 (March
1946). The 12-page Boy Commandos story "Brooklyn and Columbus Discover
America!" was written by Jack Kirby and inked by George Klein. Swan was
given regular ghost work on Kirby characters for $18 per page. From
1945–1948, he penciled stories for The Newsboy Legion, Batman and Robin,
Tommy Tomorrow, and Gang Busters.
Swan attended night classes for illustration at the
Pratt Institute under the G.I. Bill. "It turned out to be just a review of everything I already
knew," said Swan, and he left after a few months. Steve Brodie helped Swan develop a workflow that allowed him to pencil faster. Swan began working
14–16 hours a day, seven days a week.
Curt Swan's first Superman assignment was inked by Steve Brodie in
Superman
#51 (March–April 1948). "The Man Who Bossed Superman!" is signed as
Jerry Siegel and Joe Shuster, the last issue before their byline was removed. Swan later redrew the
entire story for the one-shot Three-Dimension Adventures Superman
(November 1953). The updated 3D artwork was inked by Stan Kaye.
Swan began penciling
Superboy
stories in Superboy #5 (November–December 1949). Editor Mort
Weisinger would ridicule or ignore Swan's story ideas. Weisinger would
often argue with Swan about adding too many facial details. Swan quit DC
Comics in 1951 due to migraines and stress.
Curt and Helene Swan bought a home in Tenafly, New Jersey. After working at a small advertising agency for $50 a week, Swan decided to return to comics. Swan followed advice from artist Wayne Boring and began fighting back against Weisinger. The migraines eventually stopped.
Curt and Helene Swan bought a home in Tenafly, New Jersey. After working at a small advertising agency for $50 a week, Swan decided to return to comics. Swan followed advice from artist Wayne Boring and began fighting back against Weisinger. The migraines eventually stopped.
Curt Swan began regular work on Superman at the dawn of the Silver Age. From
June 18, 1956, to November 12, 1960, the Superman daily newspaper
strips were penciled by Swan and inked by Stan Kaye. Swan replaced artist
Win Mortimer and the early strips were still credited to Wayne Boring. Mort
Weisinger asked Swan to make Superman more natural and soften the jawline
that Boring had popularized.
Swan said that his Superman was influenced by Tarzan actor Johnny
Weissmuller and Rip Kirby, a private detective comic strip by Alex
Raymond. In Fifty Who Made DC Great, Swan said, "I soon learned that
it was better to exaggerate the human form for dramatic effect. For
instance, I enlarged Superman's muscles to impossible proportions – and then
he looked right." His renditions of Clark Kent contain softer, less angular
features. Swan said, "I wanted him to appear more meek. Just sort of a good
Joe."
Swan became the regular cover artist for Superman beginning with
Action Comics #232 (September 1957) and Superman #117
(November 1957). From 1958–1961, he penciled the first 24 covers of
Superman's Girl Friend, Lois Lane. Swan is credited for 127 of 163 covers on
Superman's Pal, Jimmy Olsen, plus 507 of the comic features.
Krypto the Superdog was created by Curt Swan and writer Otto Binder. Krypto first
appeared with
Superboy in
Adventure Comics #210 (March 1955). Comet the Super-Horse was created
by Jerry Siegel and Swan, first appearing in Adventure Comics #293
(October 1962). Comet and
Supergirl
first meet in Action Comics #293 (September 1962).
Curt Swan rarely inked his own work: "I've worked with some inkers over the
years who did not delineate the figure of Superman the way I'd done it in
the pencils. They would lose something in the face, the eyes; the features
would be just a little off or the muscular structure. It used to get to me."
According to Al Plastino, "Anybody can ink Curt's stuff." "Everything was
there – the blacks, the lines – all you hadda do was take a brush and follow
his lines, put a little smaltz on it." Much of Curt Swan's Silver Age work
was finished by Stan Kaye, Ray Burnley, or George Klein. In 1986, Swan wrote
that his favorite inker was Al Williamson.
From 1969–1974, Swan regularly worked with Murphy Anderson, beginning with
the cover of Action Comics #380 (September 1969). The duo became
known as "Swanderson" by fans, and later pages are signed with the nickname.
Anderson said, "I was the first, or one of the first, to call Curt 'The
Norman Rockwell of the Comics.'" Swan wrote that "Murphy's inking was among
the best."
The New Adventures of Superman animated series from Filmation aired
on CBS from 1966–1970. For season three, The Batman/Superman Hour,
the character designs were modeled after Curt Swan's artwork.
When he was not drawing Superman, Curt Swan painted scenic landscapes in
Westport, Connecticut. Swan enjoyed sketching at Allen's Clam & Lobster
House, formerly located on Sherwood Mill Pond. A scene from the pond appears
in the logo for Westport East Real Estate, owned by his wife Helene.
In 1968, Neal Adams became the main cover artist for DC and the Superman titles. In 1970, Mort Weisinger retired, marking the end of the Silver Age. Weisinger's longtime friend Julius Schwartz became Superman editor. Swan was now free to use expressive facial details and experiment with more dynamic layouts.
Although Swan was not originally a science fiction fan, his favorite stories
to draw were set in the Bottle City of Kandor and his favorite villain was
Brainiac. In 1986, he wrote, "It was always like vacation time for me to get
a script with Mxyzptlk." Swan was most proud of his work on "The Origin of
Superman!" in The Amazing World of Superman (1973).
In 1980, Curt Swan appeared in The Making of Superman: The Movie, a television documentary hosted by Christopher Reeve. Curt is seen
sketching images of Clark Kent and Superman in the DC Comics office.
Swan penciled and inked himself for "I Flew With Superman!" in
Superman Annual #9 (1983). The story was written by Cary Bates. In
1984, Curt Swan was presented with a Comic-Con International Inkpot Award.
Released in the summer of 1986, "Whatever Happened to the Man of Tomorrow?"
was written by Alan Moore and penciled by Curt Swan. Editor Julius Schwartz
had originally asked
Jerry Siegel to
write the script, but he was unable due to legal issues with Warner Bros.
According to Schwartz, "Curt Swan was chosen to be the artist because many
considered him to be the signature artist on the series for the past thirty
years."
The "imaginary story" tells the final Superman tale of the Silver and Bronze
Ages. The two-part arc begins in Superman #423, inked by George
Pérez, and concludes in Action Comics #583, inked by Kurt
Schaffenberger. Both covers were inked by Murphy Anderson.
DC Comics hired John Byrne to revamp Superman following the "Crisis on
Infinite Earths" crossover event of 1985–1986. Curt Swan was dismissed
from full-time duties at DC in 1986, but he would continue to contribute
work over the next ten years.
On June 17, 1988, Curt Swan appeared on "The Morning Exchange" on WEWS-TV in
Cleveland. The segment was recorded during the International Superman
Exposition at the Cleveland Convention Center. Swan and Jerry Ordway were
interviewed by Lee Jordan and Joel Rose. The program also featured
Lois Lane
actress Noel Neill and Jimmy Olsen actor Jack Larson from
Adventures of Superman.
Curt Swan and Murphy Anderson illustrated the Silver Age versions of
Superman and Lex Luthor for the 1991
DC Cosmic Cards
series from
Impel Marketing. In 1992, Swan and Anderson were featured on individual trading cards in
the
Famous Comic Book Creators
series from Eclipse Enterprises.
Curt Swan openly disapproved of the 1992
"Death of Superman"
storyline. In a 1993 Wizard article, Swan wrote, "For example, I
think the 'death' story came out of the blue. There was no build-up, no
suspense developed. Superman had no foreboding of some force out there that
would conquer him. It all occurred too quickly."
In a 1993 interview for The News Journal in Wilmington, Delaware,
Swan said, "This new concept, I don't know, I have my doubts about it. But I
probably shouldn't speak my true feelings... Maybe it's a good thing and I
just don't understand because I'm from a different generation."
On February 25, 1993, Swan appeared on the QVC Network during a comic book
collectibles special. The show featured autographed memorabilia from the
Superman creative team. The two hour program was hosted by Steve Bryant.
October 2, 1993, was proclaimed "Curt Swan Day" by the Minnesota Cartoonist
League in Minneapolis. During the ceremony, historian Dave Mruz presented
Swan with a Minnesota Cartoonist Award.
Swan was commissioned to provide illustrations for "Man of Steel, Woman of
Kleenex" in Penthouse Comix #5 (January–February 1995). The 1969
essay by sci-fi author Larry Niven discusses the complications of Superman
trying to reproduce with a human woman. The feature contains sexually
graphic images of characters that resemble Lana Lang and
Lois Lane.
In 1962, pop artist Mel Ramos produced a series of oil paintings that
feature Superman, Batman, and Wonder Woman. Ramos copied the image of
Superman from the cover of Superman #147 (August 1961). The cover
was originally penciled by Curt Swan and inked by Stan Kaye. The painting
is currently on display at the de Young Fine Arts Museums in San Francisco
with no credit to Swan and Kaye.
In 1981, Andy Warhol produced Superman prints copied from Swan and
Anderson in Action Comics #430 (December 1973). The complete
Myths portfolio contains ten fictional characters from American
pop culture printed with diamond dust. Superman (F. & S.
II.260) is limited to 200 regular edition copies and 60 variations of
proofs. In 2017, a regular edition sold at auction for $218,750. Swan
and Anderson are rarely acknowledged for the work. Warhol had previously
swiped Superman artwork by Kurt Schaffenberger in 1961.
In 2015, Mel Ramos copied another image by Curt Swan and Stan Kaye. The image of Lois Lane as
"Supergirl"
originally appeared on the cover of Action Comics #274 (March
1961). The telescoping Supergirl logo was created by Ira Schnapp
based on a design by
Joe Shuster.
The oil painting is currently held by the Louis K. Meisel Gallery in New
York City with no credit to the original artists.
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Curt Swan passed away on June 17, 1996, in Wilton, Connecticut, at the age of 76. A memorial honoring Swan is
located along the Westport Library Riverwalk. Two Superman illustrations
by Swan are kept in the Westport Schools Permanent Art Collection.
On September 18, 1996, a eulogy for Curt Swan was presented by
historian and illustrator Arlen Schumer at the Connecticut Chapter of
the National Cartoonists Society in Weston.
Six previously unpublished pages by Swan appear as a flashback sequence
in Superman: The Wedding Album
(December 1996). Pages 40–45 were inked by Jackson "Butch" Guice.
Curt Swan appears as a 1958 art teacher in "Swan's Way" in
Legion of Super-Heroes #92 (May 1997). The issue is dedicated "In
Memory of -- and gratitude to -- Curt Swan: Honorary Legionnaire."
In June 1997, Curt Swan was posthumously inducted into the Will Eisner Comic
Industry Awards Hall of Fame.
Curt Swan: A Life in Comics was published in 2002 by Vanguard
Productions. The 192-page illustrated biography was written by comic book
historian Eddy Zeno. The book features interviews with family and industry
friends, as well as previously unpublished artwork.
On July 20, 2006, the United States Postal Service issued a series of
DC Comics Super Heroes
postage stamps and postcards. The collection contains three images drawn by
Curt Swan. The Superman stamp was penciled by Swan and inked by Sheldon
Moldoff. The Silver Age
Supergirl
stamp was penciled by Swan and inked by Stan Kaye. The cover of
Aquaman vol. 3, #5 (October 1989) was penciled by Swan and inked by
Al Vey. The stamps are collected in the Smithsonian Institution National
Postal Museum.
In 2008, a popular internet meme emerged based on a panel by Curt Swan and
George Klein in World’s Finest Comics #153 (November 1965). In an
alternate timeline, Batman believes that
Superboy and
Superman are responsible for the death of Thomas Wayne. During a heated
disagreement, Batman slaps Robin in the face.
Five previously unpublished pages by Curt Swan appear in
Action Comics #1000 (June 2018). The original script was rewritten by
Marv Wolfman. The pencils were inked by Jackson "Butch" Guice and Kurt
Schaffenberger. A 1991 sketch by Swan appears on the Dynamic Forces variant
limited to 4,000 copies.
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Cadigan, Glen. The Legion Companion. TwoMorrows Publishing,
2003. pp. 11–19.
"Cartoonist Likes Scenic Painting."
The Bridgeport Post, 31 October 1976, p. C-1.
"Curt Swan Interview." Fandom Feature. February 1982, pp. 16–25.
"CURT SWAN-SUPERMAN '96 Eulogy by Arlen Schumer."
YouTube, uploaded by Arlen Schumer, 29 August 2015.
Eury, Michael. The Krypton Companion. TwoMorrows Publishing,
2006.
Harris, Jack C. "Remembering with Curt Swan."
Amazing World of DC Comics, vol. 2, no. 7, July 1975, pp. 26–28.
Jones, Dick.
"Minneapolis Men Play Outstanding Part in Publication of the Stars and
Stripes."
Star Tribune [Minneapolis], 10 December 1944, p. 8C.
Marx, Barry, et al. "Curt Swan: The Definitive Superman Realized."
Fifty Who Made DC Great. DC Comics Inc., 1985, p. 27.
Morrisey, Rich, et al. "Curt Swan: An Interview with Superman’s Main
Artist." The Comics Journal, no. 73, July 1982, p. 64.
Mruz, Dave. "Curt Swan Day." The Minnesota Cartoonist, vol. 2, no. 2,
November 1993, pp. 4–5.
Niven, Larry (w), Swan, Curt (i). "Man of Steel, Woman of Kleenex."
Penthouse Comix, no. 5, January–February 1995, pp. 30–33.
"QVC is Shopping..."
The Record [Hackensack], 21 February 1993, p. 243.
Schwartz, Julius.
Man of Two Worlds: My Life in Science Fiction and Comics. Harper
Paperbacks, 2000.
"State Yanks are Visited by Mrs. F. R."
The Minneapolis Star, 11 November 1942. p. 18.
Swan, Curt. "Drawing Superman."
Superman at Fifty!: The Persistence of a Legend. Octavia Press, 1987,
pp. 37–45. (Note: The essay is dated 1986. The referenced Smithsonian exhibit opened on June 24, 1987.)
Swan, Curt, and Patrick Daniel O'Neill. "My Life with Superman."
Wizard: Superman Tribute Edition, April 1993, pp. 8–9.
The Making of Superman: The Movie. Directed by Iain Johnstone, Warner
Bros. Pictures, 1980.
Varma, Kavita.
"Superman's artist visits comics store."
The News Journal [Wilmington], 22 April 1993, p. 6.
"V-Xmas." Newsweek, vol. 22, no. 21, 22 November 1943, p. 38.
Zeno, Eddy. Al Plastino: Last Superman Standing. TwoMorrows
Publishing, 2016.